Madge Gill: Medium & Visionary curated by Mark De Novellis in collaboration with Henry Boxer, Roger Cardinal and Vivienne Roberts.
5 October 2013 – 26 January 2014
Orleans House Gallery, Riverside, Twickenham, TW1 3DJ
With no training and no aspirations to fame, Madge Gill produced thousands of ink drawings during her lifetime. Her work remains an enigma: is it true she was inspired by an ethereal spirit guide? Was she genuinely in touch with ‘the beyond’, or was art-making a form of self therapy?
Orleans House Gallery invites you to delve into the world of Madge Gill (1882 – 1961) in this major retrospective exhibition supported by the Wellcome Trust. Featuring over 100 original artworks, and contextual photographs and documents, this exhibition is the first of its kind. Madge Gill was championed and collected by Jean Dubuffet, who coined the term ‘art brut’ (raw art), the precursor to the term ‘Outsider Art’. Gill is considered the most important, influential and recognised British ‘outsider artist.’ This project explores Gill’s work, history and psychic/mediumistic context in-depth, in order to question the use of such terms, whilst celebrating the benefits of creativity for wellbeing. Forming part of the contextual material for this exhibition is some rare artworks and photographs representing mediumistic practice and the history of spiritualism. Most remarkable of these is an incredible album of abstract spirit drawings by Georgiana Houghton (1814-84) who anticipated the modernists like Kandinsky by half a century.
Working mainly on paper, card and textiles, Gill used pen to create maze-like surfaces with a glittering, almost hallucinatory quality that often reveal a female face. Ranging from postcard size to over 10 metres long, her work immerses the eye in a dark world of mystery, beauty and obsession. Her work has been included in previous Orleans House Gallery outsider and visionary art exhibitions, and more recently at the Whitechapel Art Gallery, Museum of Everything and Nunnery Gallery.
The focal point of the exhibition will be the rarely seen The Crucifixion of the Soul. Over ten metres long, this immense calico is inscribed with Gill’s finely wrought doodle-like drawings and is testament to Gill’s commitment to creativity.
Madge Gill: Medium & Visionary has been generously funded by a People Award from the Wellcome Trust. Curators have worked with psychologists, medical historians, biographers, art historians and art psychotherapists to bring different approaches to Gill together within the exhibition and accompanying catalogue. Present day artists from the Art & Soul group, who celebrate mental and emotional wellbeing through the arts, are also represented in the project.
Bringing together little-seen loans from the Newham Archive; the College of Psychic Studies in South Kensington; the Henry Boxer Gallery and other archival material and artworks from private collections, this exhibition is a must-see for all those interested in art, psychology, spiritualism, social history or all of the above.